Artificial Reproduction explores the ideological undercurrents of the Anthropocene—an epoch structured around the presumption of human sovereignty over planetary systems. Rather than critiquing this condition through representation alone, the work stages its logical extension: a future in which nature survives primarily as simulation. Viewers are invited to personalise the digital object, exercising aesthetic control over its representation. This gesture mirrors the Anthropocenic impulse itself: the desire to optimise, refine and dominate according to preference. In this transformation, 'nature' becomes interface. What appears as empowerment simultaneously exposes a loss—the reduction of ecological complexity to customisable surfaces. The work therefore raises the question: when control becomes total, what remains of the otherness of the natural world?