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As we delve deeper into the digital realm, the boundary between physical (tangible) and digital (intangible) objects becomes increasingly fluid. Techniques such as photogrammetry allow us not only to capture the external world, but to archive it in digital databases — a dialectical shift in perception that opens new possibilities while immersing our existence in unfamiliar territory. “How Do We (Re)Connect To The Land?” is a visual research project on the implications of producing and possessing an exact digital replica of our world: how do we define “Nature” in this technological landscape?
As we delve deeper into the digital realm, the boundary between physical (tangible) and digital (intangible) objects becomes increasingly fluid. Techniques such as photogrammetry allow us not only to capture the external world, but to archive it in digital databases — a dialectical shift in perception that opens new possibilities while immersing our existence in unfamiliar territory. “How Do We (Re)Connect To The Land?” is a visual research project on the implications of producing and possessing an exact digital replica of our world: how do we define “Nature” in this technological landscape?